Thief - 电影

就在陈美决定放弃的(de )时候，头顶突然传来几道熟悉(👇)的声音。

生命就像一件圖騰編織，儘管每條(tiá(🥛)o )線顏色大不相(xià(♉)ng )同，當彼此交織在一起時，將展現出最美的圖案。喬依、阿莉(🗨)及麥姬的人生有著各自的方向及各自的煩惱，三人在一趟看似平(👸)凡的旅行中相遇。然而(🚳)命運是一雙看不見(jiàn )的手，將(💠)三人的人生牢牢編織在了一起。

这人莫名其妙的倒在自家门口，害的她这一晚上都没有睡踏实，心中想了无(wú )数的(📺)不好的念头。

顾潇潇只来得及喊出他名字，就被他狠狠的(👓)堵住了嘴巴，顾潇潇这(🈶)次连抵抗的能力(♍)都没有，直(zhí )接(🍻)双手(🈵)双脚被他困住。

张麦生不耐烦了，能不能堵住他们的嘴？

Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen.

张大江不把(🕗)张大湖的命当命，可是她总也得考虑到这些的。

米兰的(📏)汽车厂车间主任尼奥(à(🔍)o )（Alberto Sordi 饰）准备利用半个月的假期回西西(xī )里(lǐ )老家(📽)度假，临行前，他的(de )上司托他给(gěi )西西里的黑手党头目文森佐带(dài )一份礼(lǐ )品。尼奥与妻子玛塔(tǎ )踏(tà )上家乡(🥄)的土地后兴奋莫名，他介绍自(🅿)己(🚘)庞大的(⏺)家族给(😝)妻子认识，那些旧日朋友(yǒ(🔡)u )有些(xiē )死于枪杀，有些正在牢里，还有极少数人因为背叛朋友而成为乡民眼中的行尸走肉，剩下来的那些(⚡)相识则对尼奥的“米兰味”稍有提防。尼奥拜见文森佐，得到了这位黑帮老人的认(🍄)可，曾经的战乱年代中，尼奥是文森佐的(de )得力手(shǒu )下。玛塔用自(zì )己的(🚺)努(💡)力得到了家人的认可，尼(ní )奥也找回了和家乡传统(tǒng )契合的心态。某天夜里，尼奥被(🈚)父亲叫醒，受命执行一项黑手党的暗杀任务……

他摇摇头，只是不小心滑了(🏩)，鞋掉了之后，脚(💇)撞到(dào )石头上，擦破了点(diǎn )皮。也没有太痛，这(🈸)周围没有(yǒu )扶的东西，路太滑站不住，我起不来，拉我(wǒ )起来就行(⏰)了。