The Circular Staircase

Two-hour condensation of a nineteen-hour opera production in which Liniang, daughter of Governor Du, who is summoned to Huangzhou to fight off an invasion of Tartars, falls into a deep sleep and dreams of falling in love, and dies of love sickness. She is sent up from the underworld as a spirit in order to marry her destined love, a scholar from Canton, Liu Mengmei, whose name is a comination of willow and plum (which has poetic significance). Robert Powell's voiceovers keep us up to speed through the massive cuts.

大一上学期，张雪岩琢磨着想买电脑，但是沈玉玫女士不同(tóng )意，她便偷偷央(🍟)了宋垣帮忙，看能不能(néng )买一台二手的。

民国初年，大(dà(🖤) )镖(💵)师杨连盛押送天(tiān )津富商门大少爷的驮马(mǎ )商队，一路风险(xiǎn )来到金客云集的关东山林。他一方面为孙中山讨伐袁世凯筹措(🍋)军饷，一方面寻找失散多年(🎉)的姐(jiě )姐。清晨，杨连盛和春花在山(shān )林中习武，不慎将春(chūn )花打倒。杨连盛称(💌)她小姐，赔礼道歉，春花告诉他，她不是小姐。当春花(😲)得知杨连盛是杨柳青人时，说他和她干妈夜来香同(🦐)乡。金大牙(yá )用金镯作诱饵(🚧)，要秋花嫁给门大少。秋花不从，逃离家门，与自幼相爱的强子携手逃去。丛(😮)林中，金大牙带人追来(👏)，将秋花和强子绑在树上毒打。正好杨连盛赶来，他不顾金大牙要挟，放(fàng )掉二(🥦)人。强子、秋花脱离火坑，又被马占山(shān )的手(shǒu )下人抓住。马占(👯)山见秋(🙎)花(huā )貌美，想用这块肥肉拉拢门大少。他一面命人请门(mén )大少(shǎo )，一面收拾新房，准备给(gěi )门(mén )大少成亲。为救秋花，夜来香和春花(huā )往求美大姑。美大姑写信让她们母女俩交门大少。二人急忙返回。在马占山主持下，门大少(shǎo )与秋花强行拜堂。洞房中(🥛)，门大少正欲向秋花动手，美(měi )大姑信传到。门(mén )大少看后五(wǔ )雷轰顶。原来秋花和门大少是同父异母兄妹(🛏)。门大少再回洞房(♋)，秋花已吞金而亡。美大姑来到秋花(🥚)坟前，告诫门大少不可认(rèn )贼做父，忘报家仇(📍)。为迫使(shǐ )马(💏)占山打消收回前沟的念头，金大牙逼夜来香做(⏪)了马占山的压寨夫人。马占山打开暗室，取出一串珠宝(bǎo )讨好夜来(🛂)香，暴露(lù )了暗室中(zhōng )门大少寻找的金佛。暗随夜(yè )来香的杨连盛取走金佛，交给门大少。门大少从此对杨连(lián )盛言听计从(👭)。杨连盛料定马占山不(📱)会善罢干(🎷)休，劝(quàn )门大(dà )少尽早取(🍚)货(huò )下(xià )山。杨连盛又(🐂)探得金大牙暗室秘密(mì )，将珠宝和枪支取走。金(🧗)大牙去求(qiú )强子救命(mìng )，被强子打死。马占山知门大少取(🏿)货下山(🐭)，暗生毒计。美大姑见(jiàn )到杨连盛，交给他一枚(méi )玉坠，杨连盛认出是姐(jiě )姐佩带之物，细问之下，知道(💄)夜(🌰)来香就是他寻找多(🤡)年的姐姐杨(🚅)月(🥧)桂，但(🏁)已含恨而亡。峡谷中，马占山率人拦劫(jié )门大少的商队，要置杨、门于死地。门大少中弹(🥝)身亡。杨连盛奋力(🔮)还击。激战中，美大姑率春花赶来，击毙马占山。杨连盛告别美大姑，押运这批黄金、珠宝踏上了返津的路程。

他吃饱了还觉得意犹未尽，想到孟行悠之前提过那些(🖊)小吃，问：你说的那个什么粉

苏明(😗)珠没(🎯)有说(🌑)话(🆕)，倒是姜启(qǐ )晟皱了下眉头：有备无患总是好的。

张玉敏嫁人(rén )的事儿(📺)，简直就是张婆子的软肋。

霍靳西上了床，很快关了灯，一副安心睡觉(jiào )的架势。

顾老头，你不会有事的我带你去医院，走，我马(mǎ )上带你下去(👕)

With Jam, the TV follow-up to his Radio 1 series Blue Jam, Chris Morris focuses more on unease more than the satire of Brass Eye. Indeed, it's a moot point whether Jam can actually be categorised as comedy at all. Each sketch is steeped in a heavy brine of dark, ambient music (including Bark Psychosis, David Sylvian and Brian Eno), grainy imagery, fast-cut editing and slo-motion. Its mirthless, Kafka-esque scenarios feel like an attempt to morph into some new species of post-comedy that is more like the stuff of nightmares. The credits, in which Morris stalks the moving camera, uttering Lear-esque words of foreboding immediately announce that this "sketch show" is a galaxy apart from The Two Ronnies.