进击的特工 - 电影

《疯羊》讲述了五个同时发生的故事，联系他们的唯一纽带就是时代背景——21世纪的柏林。第(🛸)一位出场的是鲍里斯Boris，他是一个嗜赌如命的手模特，和来(🤐)自《时尚》杂志的(de )美丽女孩Nadja同(tóng )居(jū )住在一起。唯一的问题就是他现在(🛰)是身无分文的穷光蛋，在他把自己的手指修剪了之后，从保险公司得到一小笔赔偿金，只是这对于他来说是远远无法满足的…(👼)…

女警阿玲（舒(shū )淇 饰）身(shēn )边有一对儿痴狂的追求者，但她的心思在那(nà )个梦中搭救她的(de )白衣男子身上。好友祖儿（陈逸宁 饰）得到了一份前(qián )往马来西亚拍(😕)摄广告的工作，心情不佳的阿(〰)玲随同旅行。介绍祖儿工作(zuò )的波比陈（林雪 饰(🐊)）为人轻浮好色，暗中(🚮)还是(🚥)黑市交易中间人，波比陈正筹划从大哥潘(pān )（任达华 饰）手中引进飞弹导航系统(tǒng )，而...

她只是觉得肖战有时候像个孩子，患(😯)得患(🍣)失(shī )。

Sci-fi is a rapidly changing genre. It loses impact even more rapidly than horror. Therefore it's virtually impossible to see a sci-fi movie from the past (from the pre-space period, i.e. late 50s) that isn't laughable in some sense. First serious sci-fi epics appeared in the very early 50s, and bearing in mind the first space yarn was filmed by Melies in 1902, we get about 50 years of sci-fi without the very basic concepts of space travel. Where The Trip To The Moon can be dismissed as a funny experiment, The Trip To Mars cannot. This is a serious film. The makers didn't know about weightlessness or the absence of atmosphere in space, plus about a hundred more things we know today. That was the period, when everybody was raving about the channels on Mars, so they naturally assumed there was intelligent life on that planet. Melies shows frogmen and other strange creatures on the Moon; in 1924 there appears the still popular tinfoil dress for Martians in Russian film Aelita. So, in between, we get the Egypto-Greek fairy-tale world of this film: wise old priests being wise; and virgins prancing around, praising virtue in the world, where virtue obviously is as normal and unnoticeable as metabolism. Enter the Earthlings, introducing death and sin. Well, nothing spectacular follows: they soon are "cured" and learn the ways of the righteous. This film is a total orgy of enjoyment. The double feature released by the Danish Film Institute (together with a disaster film from 1916, The End Of The World) boosts their usual superior quality. The Danes began storing and archiving their films very early, so you get a very clean second generation copy from a period when most of US films withdrawn from circulation went to the glue or comb factory. It's a pity this film with so many different locations isn't color tinted. The rather uninspired piano accompaniment, another trade mark of the series from the DFI, tends to grow a bit tedious too. But nevertheless, a remarkable film and something you can show to your friends without being afraid that they'll think you're a weirdo.

你(nǐ )们可以光明正大(dà )的内斗，但(dàn )是必须时刻记住你们是一名军人(📄)，那些只(👰)会背(bèi )后耍手段玩阴招的人，让我发(🤼)现，绝(jué )不(⏲)轻饶，无论(lùn )是部(🏂)队还是学校，绝不(bú(🕕) )欢迎这样的人(rén )，听清楚了吗？(🆚)

张采萱无语，那怎么办？村里没有合适的人，就(jiù )只能往村外(🥣)寻摸了。

A very rare ATG distributed Wakamatsu, starring Ken Yoshizawa and Rie Yokoyama as two pieces of a destructive love-triangle. Has all the usual Wakamatsu themes of politics, suicide and twisted love, as well as stylish Hideo Ito cinematography and great use of the more or less single set (a beach with an abandoned boat on it). As there's not that much dialogue, it could make a fairly 'easy' translation project (hint hint)

很显然张玉敏现在已经成功的引起了秦公子(zǐ(🌱) )的注意，至少秦公子听到张玉敏这(🍏)个(💎)人的时候，已经(jīng )没办法(⛰)(fǎ )淡然了。

一个直播女(nǚ )主播的自杀(🐌)，却意外与自己(✴)的宅男粉丝灵魂互换。得到偶像的身体正沾沾自喜，想要任意发挥之际，却发现自杀背后似乎还隐藏着更大的秘密。突如其(qí(🥇) )来的杀手追杀，究(jiū )竟是劫(jié )财劫色还是另有所图？一场混战之后网红女(😘)容貌被毁，却在脸(liǎn )皮之下发现神秘药水，奇怪宅男黑客现(🏪)身帮忙。整形(🚋)医生男友深夜造访，只为抢夺药水。纠葛之时，一场车祸，四人再次灵魂交(🖕)换(🕊)，令整件事(🕒)情越发(fā )复杂……