奥地利布雷根茨湖畔歌剧节2009年录像

A fictional narrative and a documentary interview are mixed together in this film about two women deprived of independence for many years because of either their family obligations or an authoritarian spouse. In the fictional segment, based on a novel by Alexandra Kollontai (the first Soviet ambassador to Sweden and an early advocate of women's rights), the young woman Vassilissa (Sascha Hammer) learns how to stand up to her womanizing husband (Mark Eins). Director Rosa von Praunheim plays this story out in the tone of an early 20th century "morality" play. The second focus of the film is about Helga Goetze, a mother of seven children who left her brood when she was 50 years old (and her youngest was already 16) to join the Otto Muehl Commune in Vienna and live a liberated life of sexual freedom, filled with involvement in the arts, literature, and politics. Helga moved to the Kreuzberg district of West Berlin, where the on-camera interview was conducted. Director Praunheim opted for interspersing fictional and documentary segments so as to better chronicle the move toward independence and sexual "liberation" on the part of the two main female protagonists.

日本とベトナムの国交樹立45周年を記念して製作された同作。死んだ母との唯(🔕)一の思い出であるクジラの大ジャンプを再び見ようと沖縄に(🦏)移住した木元愛美と(🈲)、ベトナムから会社(🚵)の研修で沖縄を訪れた青年グエン・コアの(🕑)交流や恋愛(ài )模様を描いている。主人(rén )公・愛美役を演じるのは大野いと。幼(yòu )い頃からクジラと一緒に泳(🕦)ぐこと(🚽)を夢見るコア役を、スティーヴン・ス(🙏)ピルバーグ監督作『レディ・プレ(🈶)イヤー1』のキャストに抜(💽)擢された森(sēn )崎ウィンが演(👝)じる。監督(🚉)は、同作が劇(🐩)場長編デ(😔)ビュー作となる牧野裕二。

苏凉推开玻璃门, 一阵清脆悦(👊)耳的风铃(🚥)声响起。

顾潇潇被袁江拉到厕(cè )所门口，嘴(🙌)角抽搐的说：你(🏃)(nǐ )是想我跟你上厕所，还是想跟我去上厕所。

吃过饭之后，他们也不在这多留，而是去了大宅(zhái )。

能把谈恋爱比喻成约饭，这世界上大概也只有霍修厉(🔟)一个人。

前面(miàn )的超能者(🕯)是最先到的(de )，只见他(💡)举(jǔ )起(👆)手中的铁棍，就向着自己的方(fāng )向砸了过(guò )来。

可是她却在(zài )街上走了一圈又一圈，走到脚掌麻木，走到神思昏昏

也不知道她起早贪黑辛苦一天能赚多(duō )少钱，那天一盒糖果，今天一盒饼干，对她而言，应该算是很大的消耗了。